Oxford Handbook of Perceptual Organization
نویسنده
چکیده
“Everything that is visible has certain colour-properties” (Katz, 1911, p. 1). In this chapter we first discuss the structure and perceptual dimensions that are inherent to the attribute of colour itself. We then consider the strong organisational influence that colour can have on scenes, before considering the interplay of colour, form, depth and movement, to the extent that these interactions influence our perceptual organisation. We discuss spatial factors as they bear on colour, in classical displays of colour contrast and assimilation and the way in which these are modified by perceptual grouping. Finally we consider a world of illuminated objects, highlighting the spatio-chromatic signatures associated with changes in illumination or spectrally selective filtering, and the subtle chromatic cues to material properties. Colour emerges as a subject of perception, that “draws its beauty from the marvellous co-operation of colour-substance and illumination” (Katz, 1911, p. 2), and as the perceptual correlate of a physical signature that supports our visual appreciation of things made of particular stuff.
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تاریخ انتشار 2014